Thursday, 9 June 2011

Word Associations

I'm thinking of a game where people have to make up a chain of associations.  Each word leads to another which in turn leads to another, until you find yourself at the end of the chain, with a couple words you must fit between another word that connects them both.

First word – ‘Dracula”                                      
Last word: “The Pacific”

e.g. Dracula – vampire – blood – bloody Mary – drink –water--ocean –the Pacific

I have no idea how this would be played out.  It's an interesting game that I - err, I mean 78, 190 people - just thought of.  (Unlike the game, I know how playing with myself will pan out!?)



Wednesday, 1 June 2011

Johann Wolfgang von Grrrr-DUH





1  Johann Wolfgang von Goethe
Johann Wolfgang von Goethe was born in Frankfurt, Germany in the middle of the 18th century. Goethe, was a poet, a playwright, a novelist, a philosopher, a scientist.



He was a Renaissance man more than a century after the Renaissance ended, during that tentative time when the European Novel was struggling to be born.  “The Sorrows of Younger Werther”, written when Goethe was  young and bold , and autobiographical – was  composed in a wild, suicidal clamor after being rejected by Charlotte Buff;




the novel’s protagonist, “Werther”, mad with heartache, commits suicide at the end of the book. An early example of the German “Sturm and Drang” movement,




(which translates as “Storm and Stress”), the novel shot Goethe to fame at an early age, planting the roots of the Romanticism of the early 19th century, when Keats, Shelley, and Byron  had not even been born yet. 

2  “The Sorrows of Young Werther”
“The Sorrows of Young Werther” is a story told through a series of letters written between friends, Werther and Wilhelm. 






Werther is staying in a fictional little town, where he meets a peasant girl named Lotte (modeled on Goethe’s real-life love, Charlotte Buff -- note the corruption here of the name “Charlotte”), who takes care of her siblings with no help.  She is to marry a man 11 years her senior, Albert.  Werther, in what seems like a swoon of passion similar to Frederic’s near the beginning of Flaubert’s “Sentimental Education”




(although the books were written a century apart, this way of how young men fall in love does seem eternal), falls in love with Lotte.  In spite of these emotions, he resigns himself to trying to make a strong friendship with her. This causes him great longing and pain, which nosedives when Lotte marries Albert.  Werther must cut back, must strenuously cut back his visiting.  But one last visit? (Lotte and Werther kiss!).  But in his young and mad way, Werther realizes someone - Albert, Lotte, or Werther – must die.  He can’t bring himself to murder, so he kills himself! -- and he dies alone; buried with no service, no one, not even her to visit, under a linden tree.





3  Epistolary Novel
“Werther” was also an innovative piece of work, stylistically.  The book is entirely composed of letters - as such, it is considered the first ‘epistolary novel’ (literary work told through letters).




 There are many other epistolary novels -  everything from C.S Lewis’s “The Screwtape Letters” to Dostoevsky’s “Poor Folk” to other works that employ the epistolary device but mix it up with other sorts of narrative devices.  Goethe’s novel had a special relevance, though – people actually wrote to each other, communicated, back and forth with letters in his time. Today, the practice is outdated and practically replaced by email, Skype, telephones/cell phones, texting, etc.  There is something of lasting physical value to a letter.  Something to be said for the composition and careful work put into a hand-written letter.  Something you can hold in your hands.


4  Handwriting
There is something to be said about hand-writing, too.  Just as an epistle itself is a work of individuality and personal expression, so too does the very handwriting itself, a style nearly as unique and identifiable as a fingerprint, reflect a person’s personality.




 The size of the letters, spacing, slope,  roundness, size,  slashes, pressure of the pen on the paper -- all are elements of handwriting that contribute to the ‘voice’ or  identity of the hand-writing and, hence, the identity of the author.  The field of Graphology -- this is the study of handwriting as it relates to the psychology of the author.




It is used in law enforcement; as well, the medical field employs Graphology to determine diseases of the brain and nervous system.  As such, writing that might be termed “bad” can lead to a diagnosis of a brain disorder.  A writing style that might be termed “good” could point to something like goodness, health, even saintliness.  I wonder what graphologists might say of the writing of calligraphers? – “These are the souls of angels!” perhaps?…

5  Calligraphy
 Calligraphy, or etymologically “beautiful writing”,   is an art form wherein the letters being carefully written are made to be expressive and harmonious.



Today, the practice of calligraphy can be found in hand-lettered inscriptions and designs, and sometimes goes to the extent of becoming abstract lettering  that can be barely legible – art for art’s sake. 






Calligraphy differs from typography in that it is not as formally rigid, is more spontaneous and naturally expressive, and doesn’t conform as much to the lines of uniform print that are one of the hallmarks of typography.  For these reasons, calligraphy has always been a script of choice for religious works – primarily for its decorative appeal.  A great deal of calligraphy has been used in religious art, specifically in Illuminated Manuscripts, where artistic images are combined with the fancy lettering.
 

MORE Johann Wolfgang von Grrrr-DUH




Illuminated Manuscripts
Often religious in nature, illuminated manuscripts were also historic records.  The majority of the known manuscripts were created in the middle ages, and the artwork done in these manuscripts stands out as the best surviving paintings of the middle ages.  They are also the only surviving paintings for many periods of the medieval ages. 




Until the 12trh century, most of the illuminated manuscripts were created in monasteries. Some monasteries had separate areas specifically for the painting and calligraphic work used for the manuscripts, called “scriptoriums”.  Monks were isolated from their cloister here, and could work in on the manuscripts without being distracted or interrupted by a fellow monk.







Throughout the ages, entire Bibles, massive with the many pages and illustrations within, have been illuminated.  There is an illuminated Bible in Sweden so large it requires three librarians to lift it.  There have also been illuminated manuscripts from the Renaissance, which are rare since the invention of moveable type by Gutenberg brought the practice of illuminated manuscripts to an end. 

Hell
As they were religious in nature, many illuminated manuscripts depicted pictures of heaven and hell, of saints and other, mythical figures.  A major pre-occupation of the Anglo-Saxon church was with the torturous lives of evil men and sinners in the afterworld.   As such, many manuscripts do contain depictions of Hell, the experience of damnation. 






Medieval concern about Hell was also sparked by events in the world around the monks.   Some of the religious self –righteousness was ignited by the popularity of paganism.  Viking hordes brought with them into England their practice and belief in paganism, which was seen as punishment from God for the sinfulness of the people.

Satan
Of course, key to this sinfulness was Satan himself, who many considered not only God’s test of the faithfulness of his subjects as also the leader of the rebel angels in Hell.  He worked through the serpent in the Garden of Eden;  he was the tempter appointed by God to try to destroy Job’s faith, to test the strength of Christ in the desert. In literature, too, the lure of Satan’s temptations can be enough to corrupt and destroy.




 Witness “Faust”  - the popular myth, retold in many ways –a successful scholar becomes tired of his life and makes a deal with the devil to have omniscience and worldly pleasure.  He turns away from the divine, and turns his focus to the things of the world. 



The story was retold many times, particularly by Christopher Marlowe in the 16th century and two centuries later, by Johann Goethe.

Faust
 “Faust” was an intellectual sick of earthly meat and drink.  Mephistopheles (Satan) made a deal with Faust to take his soul, in exchange for unimaginable glory and success, at the apex of his happiness.  That moment almost comes but God’s angels intercede and take Faust to heaven.



 Goethe worked on the play/poem over decades and it was published completely only after his death. The idea of ‘selling one’s soul to the devil” has a very deep resonance which inspired books, (e.g.  Thomas Mann), music (i.e. Wagner, among others), theatre (i.e. Orson Welles, etc.).  “Faust” reminds us of feelings we all have experienced in our lives, all of our temptations, our yearnings for worldly glory and power. 



Goethe’s “Faust” is a great exposition of the human soul and one of the greatest of the many versions.
  

Johann Wolfgang von Goethe
The fame accorded the book,”Werther”, brought interest to its author Goethe from the court of  Carl August, Duke of Saxe-Weimar-Eisenach.  While living in the Duke’s court, in 1776, Goethe began a relationship with another Charlotte, Charlotte von Stein, a somewhat older, married woman. The bond they had lasted for a decade, but Goethe suddenly decamped to Italy, ending things. 




Goethe toured Italy for a couple years, writing about his experiences, in much the same way his father had.  Half of Goethe’s journey was recorded in his diaries, which later became his book, “Italian Journey”.  Many young Germans were inspired by Goethe’s book to travel there, too.  




But a near fatal heart attack and then, upon recovery, falling in love with Ulrike von Levetzow whom he wanted to marry, but his mother refused to let him was too much, perhaps.  Johann Wolfgang von Goethe died in Weimar, Germany, in 1832.  He outlived all of the Romantic poets – Byron, Shelley, Keats - so influenced by his work.   Posthumously, the second half of Goethe’s Faust was published. 




“Faust” would later be seen, Part I and Part II, as a monument of European Literature.